This is a realistic vampire love story. We wanted the spectators to think it would almost be possible to be true. That set the tone for sound. A lot of Downtown Montreal outdoor locations adds to the realism of the film and gives it a true Montreal feel, including sound.
No special treatment on vampires, just their white skin.
The film starts as a realistic story and drifts slowly into a soft vampire movie. The sound follows the same direction. Keeping the vampire treatment for the last third of the film is an idea that goes in that direction.
|Production Company:||Zone Films|
|Supervising Sound editor:||Martin Pinsonnault|
|Sound designer:||Martin Pinsonnault|
|Sound effects editor:||Anton Fishclin|
|Production sound mixer:||N.A.|
|Foley artist:||Simon Meilleur|
|Foley recordist:||Daniel Bisson|
|Re-recording mixer:||Clovis Gouaillier