{"id":47,"date":"2010-12-08T16:38:01","date_gmt":"2010-12-08T16:38:01","guid":{"rendered":"http:\/\/martinpinsonnault.com\/?page_id=47"},"modified":"2011-06-20T13:43:45","modified_gmt":"2011-06-20T17:43:45","slug":"32aoutsurterre","status":"publish","type":"page","link":"http:\/\/www.martinpinsonnault.com\/fr\/films\/32aoutsurterre\/","title":{"rendered":"32 ao\u00fbt sur terre"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignright size-full wp-image-1072\" title=\"32aout\" src=\"http:\/\/www.martinpinsonnault.com\/wp-content\/uploads\/2010\/12\/32aout2.jpg\" alt=\"\" width=\"191\" height=\"250\" srcset=\"http:\/\/www.martinpinsonnault.com\/wp-content\/uploads\/2010\/12\/32aout2.jpg 191w, http:\/\/www.martinpinsonnault.com\/wp-content\/uploads\/2010\/12\/32aout2-150x196.jpg 150w\" sizes=\"(max-width: 191px) 100vw, 191px\" \/><\/p>\n<p>Fait un apr\u00e8s l\u2019autre en 1998, avec 2 Secondes, ces deux films ont \u00e9t\u00e9 mes premiers en tant que concepteur sonore.<\/p>\n<p>32 ao\u00fbt sur terre a \u00e9t\u00e9 assez simple en terme d&rsquo;action, mais l&rsquo;ambiance, les coupes franches, les jumpcuts, les contrastes entre la ville et le d\u00e9sert, la solitude, le manque de communication entre les personnages, le silence, le vide, furent les id\u00e9es principales autour desquelles je brodais.<\/p>\n<p>Au total, peu de musique, ce qui donne une plus grande place pour les ambiances.\u00a0 Elles sont efficaces pour faire ressortir l&rsquo;\u00e9tat d&rsquo;esprit des personnages et jouer sur les \u00e9motions du spectateur.<\/p>\n<p>Partager un mix avec Hans Peter Strobl, Roger Frappier et Denis Villeneuve a \u00e9t\u00e9 une exp\u00e9rience tr\u00e8s enrichissante.<\/p>\n<h4>Liens:<\/h4>\n<p>Bande-annonce:<\/p>\n<div><object id=\"FLVPlayer\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"590\" height=\"472\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"quality\" value=\"high\" \/><param name=\"wmode\" value=\"transparent\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><param name=\"flashvars\" value=\"id=7224&amp;vid=0&amp;baid=0\" \/><param name=\"src\" value=\"http:\/\/www.commeaucinema.com\/flvplayerprx.php\" \/><param name=\"name\" value=\"FLVPlayer\" \/><param name=\"align\" value=\"middle\" \/><embed id=\"FLVPlayer\" type=\"application\/x-shockwave-flash\" width=\"590\" height=\"472\" src=\"http:\/\/www.commeaucinema.com\/flvplayerprx.php\" align=\"middle\" name=\"FLVPlayer\" flashvars=\"id=7224&amp;vid=0&amp;baid=0\" allowscriptaccess=\"always\" wmode=\"transparent\" quality=\"high\"><\/embed><\/object><\/p>\n<p><a style=\"font-size: 9px; font-family: Arial;\" title=\"Toute l'actu Cinema est sur Commeaucinema.com\" href=\"http:\/\/www.commeaucinema.com\">Comme Au Cinema<\/a><\/p>\n<\/div>\n<ul>\n<li> <a href=\"http:\/\/www.maxfilms.ca\/fiche.php?page=2&amp;film=5\" target=\"_blank\" class=\"broken_link\" rel=\"nofollow\">Max Films movies<\/a><\/li>\n<li><a href=\"http:\/\/cinema-quebecois.net\/index.php\/articles\/11\/thain_32_aout_sur_terre\" target=\"_blank\">Nouvelles Vues (Article<\/a>)<\/li>\n<\/ul>\n<h4><strong>G\u00e9n\u00e9rique:<\/strong><\/h4>\n<table style=\"background-color: #ffffff;\" border=\"0\" cellspacing=\"5\" cellpadding=\"5\" width=\"450\" bordercolor=\"#ffffff\">\n<tbody>\n<tr>\n<td align=\"right\"><strong>Pays:<\/strong><\/td>\n<td>Canada<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Compagnie de production:<\/strong><\/td>\n<td>Max Films<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Ann\u00e9e:<\/strong><\/td>\n<td>1998<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>R\u00e9alisateur:<\/strong><\/td>\n<td>Roger Frappier<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Producteur:<\/strong><\/td>\n<td>Graham King<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Musicien:<\/strong><\/td>\n<td>N.A.<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Superviseur de montage sonore:<\/strong><\/td>\n<td>Marcel Pothier<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Concepteur sonore:<\/strong><\/td>\n<td>Martin Pinsonnault<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Monteur effet sonore:<\/strong><\/td>\n<td>Christian Rivest<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Preneur de son:<\/strong><\/td>\n<td>Pierre Bertrand<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Monteur dialogue:<\/strong><\/td>\n<td>Claire Pochon<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Bruiteur:<\/strong><\/td>\n<td>J\u00e9rome D\u00e9carie<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Preneur de son bruitage:<\/strong><\/td>\n<td>Jocelyn Caron<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Preneur de son postsynchronisation<\/strong><strong>:<\/strong><\/td>\n<td>N.D.<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Superviseur de postsynchronisation<\/strong><strong>:<\/strong><\/td>\n<td>N.D.<\/td>\n<\/tr>\n<tr>\n<td align=\"right\"><strong>Mixeur<\/strong><strong>:<\/strong><\/td>\n<td>Hans Peter Strobl<\/p>\n<p>Louis Hone<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Fait un apr\u00e8s l\u2019autre en 1998, avec 2 Secondes, ces deux films ont \u00e9t\u00e9 mes premiers en tant que concepteur sonore. 32 ao\u00fbt sur terre a \u00e9t\u00e9 assez simple en terme d&rsquo;action, mais l&rsquo;ambiance, les coupes franches, les jumpcuts, les contrastes entre la ville et le d\u00e9sert, la solitude, le manque de communication entre les<br \/><a class=\"moretag\" href=\"http:\/\/www.martinpinsonnault.com\/fr\/films\/32aoutsurterre\/\">+ Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":347,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/pages\/47"}],"collection":[{"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":20,"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":924,"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/pages\/47\/revisions\/924"}],"up":[{"embeddable":true,"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/pages\/347"}],"wp:attachment":[{"href":"http:\/\/www.martinpinsonnault.com\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}